How Projects Are Made

this section includes only the recordings of my own voice for individual projects. k0r productions has now expanded to include the work of several other voice artists; the concept of my own personal work shopping and editing will forever remain the same.

1. field work

research, work shop and write.

2. voice over

time to set up the microphone.

3. edit / compile

piece the scenes together.

FIELD WORK

i used to think recording the voice overs was difficult. and then, i learned the virtue of patience.

work shopping scenes can be a recipe for exhaustion. i process through the source material while focusing on possible material to work with.

this includes facial movement, timing and situational awareness. there are moments where scenes don't even have to be linear to work; that's the magic of editing.

once possible scenes are work shopped, they're added to a tentative list of ideas and i continue to go through the source material.

VOICE OVER

probably the funnest part. when i first started this as a teenager, i would make sure to record whenever i was home alone.

and at this stage in my life, things haven't changed much.

with the script composed from the scenes that i work shop, i set up the microphone and let loose. every recorded line you hear is dubbed through sony acid pro.

multiple takes are recorded of any given line, as i try my damnest to enunciate each line differently.

professional voice actors and actresses truly have it rough.

EDIT / COMPILE

and finally, the uphill battle. entertainment today hits differently.

everyone that edits video knows how crucial it is to achieve a proper flow. i keep that goal in the back of my mind, always at arm's length. because for me, my job is to win a war. 

i see every compilation as a dance with scenes just waiting to find a partner. and it's slowly dawning on me that i may be too much of a perfectionist.